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picture showing icons in the exhibition
In the habitat of icons

Posted on 01 July 2010, 5:39

The Temple Gallery is in a small and perfect parade of upmarket shops just crying out to be turned into a film location for a murder mystery. It’s in Clarendon Cross, lost among the handsome houses to the west of Notting Hill, and just a few steps away from Julie’s, the rambling and informally grand restaurant and bar.

The gallery has been running since 1959 and is named after the affable and highly knowledgable Richard Temple, for whom Orthodox icons are a lifelong passion and pursuit. He holds icon exhibitions at the gallery every summer and Christmas, and I visited the latest one (on until 12 July) at the weekend.

The gallery has kept its small shop feel, and you follow the icons through a succession of snug rooms on the ground floor and down into the basement. Since most of the works were made for display in the home, it does feel like they are in their natural habitat, giving the exhibition a homely and personal atmosphere.

The jewel of the show is the Madre dela Consolazione (a Madonna and child) from 15th century Crete, painted after the fall of Constantinople to the Turks and at a time when the Orthodox vision of how icons should be painted was being diluted by influences from the Catholic West. It’s therefore not my favourite sort of icon, but this is a majestic and imposing masterpiece.

Hung right next to it is the image which took my breath away: a Russian icon of Saints Nicholas and Leonti of Rostov. This icon is painted in such subdued, earthy, chocolaty colours, you just have to stop in front of it for the pleasure of seeing how beautifully it has been made. While the Madonna and child are seen in the hard bright light of Crete, saints Nick and Leonti are in the dim and tranquil colours of the north Russian forest, which is probably where the ochre and brown pigments actually came from.

I’ve often found the restrained colours of Russian icons a more beguiling invitation to pondering and prayer than the brash colours of their Greek cousins, and that’s certainly the case in this image.

Icons are given so little exhibition space in London that it’s an opportunity not to be missed to see this summer show. Alternatively, all the icons can be viewed online at the Temple Gallery website, where generously sized photographs are teamed with expert notes. The gallery was conceived as a centre for the study of icons as well as an exhibition space, and the online show fulfils that aim admirably.

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Bruce likes this.

Oh, sorry, wrong website.

Thanks for the post though, now I’m further from London your writing has helped me virtually be there for this.

Bruce Stanley, Thu 1 Jul, 14:07

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